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White Widdow - 'Silhouette' http://www.rocktopia.co.uk/media/reviews/photos/thumbnail/200x200s/55/fb/19/white-widdow-silhouette-55-1487365603.jpg Hot

Added by Central Electronic Brain     February 17, 2017    
 
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Massively eighties-influenced Hi-Tech AOR with huge melodies and impressive vocal harmonies, with absolutely no acknowledgment that Grunge ever existed.

You know exactly what you're going to get from a White Widdow album. Massively eighties-influenced Hi-Tech AOR with huge melodies and impressive vocal harmonies, with absolutely no acknowledgment that Grunge ever existed; it's almost as if the Millis brothers were cryogenically frozen in 1989 and not released for fifteen years. Thankfully 'Silhouette' continues that trend with the Australian quintet's fourth album in an impressively consistent six-year period.

Their third album 'Crossfire' displayed a somewhat tougher and moodier edge while retaining their uncanny sense of melody, but 'Silhouette' sees a return to the lighter and summery sound of the 'Serenade' opus – the classy cover a hint of what's to come – yet the album contains some of WW's liveliest compositions to date in the superb 'Waited' and 'Smile For The Camera'. The keyboards of Xavier Millis appear more prevalent in the mix this time around, though not to the detriment of the amazing guitar work of the vastly under-rated Enzo Almanzi, Australia's answer to Neal Schon. The perfect production merely adds to the enjoyment.

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However, the true representation of the WW sound comes with the awesome, ultra-precise, occasionally slightly pompous (but in a good way) vocal harmonies (courtesy of Xavier and bassist Ben Webster) that underpin Jules Millis' soaring lead vocals, bringing to mind the likes of Survivor, Night Ranger, White Sister and even Def Leppard at times. The Leps are also a reference point for the ballads on 'Silhouette' as both 'Last Chance For Love' and 'Damage Is Done' are delightful 'Hysteria'-ish mid-tempo numbers.

Elsewhere, opener 'Stranded', first single 'Surrender My Heart', 'Wild At Heart', 'Game Of Love' and 'Sleeping With The Enemy' are the stylish, melodious anthems that White Widdow excel at, they are one of those bands that just have a knack of completely capturing that late eighties ambience perfectly.

If this album had been released back in June it would have been the soundtrack to the summer, without a doubt. Of course, for these guys, it is released in the summer; maybe I should emigrate...

Ant Heeks

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